Wednesday, December 28, 2011

The Driver braked during his second turn to shoot JFK

Before killer Bill Greer shot jfk, he braked the limo to an almost complete stop. Notice the motorcycles and follow-up car come to complete stops.

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1) Houston Chronicle Reporter Bo Byers (rode in White House Press Bus)---twice stated that the Presidential Limousine "almost came to a stop, a dead stop"; in fact, he has had nightmares about this. [C-SPAN, 11/20/93, "Journalists Remember The Kennedy Assassination"; see also the 1/94 "Fourth Decade": article by Sheldon Inkol];

2) ABC Reporter Bob Clark (rode in the National Press Pool Car)---Reported on the air that the limousine stopped on Elm Street during the shooting [WFAA/ ABC, 11/22/63];

3) UPI White House Reporter Merriman Smith (rode in the same car as Clark, above)---"The President's car, possibly as much as 150 or 200 yards ahead, seemed to falter briefly" [UPI story, 11/23/63, as reported in "Four Days", UPI, p. 32];

4) DPD motorcycle officer James W. Courson (one of two mid-motorcade motorcycles)--"The limousine came to a stop and Mrs. Kennedy was on the back. I noticed that as I came around the corner at Elm. Then the Secret Service agent [Clint Hill] helped push her back into the car, and the motorcade took off at a high rate of speed." ["No More Silence" by Larry Sneed (1998), p. 129];

5) DPD motorcycle officer Bobby Joe Dale (one of two rear mid-motorcade motorcycles)---"After the shots were fired, the whole motorcade came to a stop. I stood and looked through the plaza, noticed there was commotion, and saw people running around his [JFK's] car. It started to move, then it slowed again; that's when I saw Mrs. Kennedy coming back on the trunk and another guy [Clint Hill] pushing her back into the car." ["No More Silence" by Larry Sneed (1998), p. 134];

6) Clemon Earl Johnson---"You could see it [the limo] speed up and then stop, then speed up, and you could see it stop while they [sic; Clint Hill] threw Mrs. Kennedy back up in the car. Then they just left out of there like a bat of the eye and were just gone." ["No More Silence" by Larry Sneed (1998), p. 80];

Greer pressed on the brakes in the Muchmore film. The brake light illuminates.

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